theory 
(
800) Narrative is a fundamental means through which people live their lives
(
781) Communication codes are learnt and culturally defined
(
747) Law as a discourse framed by the world that it inhabits and creates
(
721) Images do not embody information about their use
(
690) The Reflective Practitioner: Choreography As Research In An Intercultural Context
(
687) Frayling: into, through and for art and design
(
641) Inside Out - Issues of interpretation in virtual heritage
(
640) Barthes: Death of the Author
(
617) Reflexive Modernisation: knowledgeable subjects able to reflect on their social conditions
(
587) Spectacle as Show - not an inferior part of tradegy
(
580) changing our footing in talk
(
579) Ernest Boyers: Priorities of the Professoriate
(
576) bystandering as a footing position
(
573) Thick Conceptions of Practice: cognitive skills that give rise to contextualised beliefs
(
560) topography of action: to rise above or drop below a field of experience
(
539) ICT-Based Learning Environments: transmission or active exploration?
(
536) discussion about culture anticipates and disseminates culture
(
532) Types of Research in the Creative Arts and Design
(
527) Bernstein: Horizontal Discourse and Vertical Discourses
(
521) Design scholarship as an alternative form of research grounded in practice
(
510) Self-Reflexivity: the natural sciences versus the human sciences
(
495) A Depiction Of The Process Of Picture Making: Emergence Of A Meta-Subject
(
481) Clive Wearing: procedural and declarative memories
(
477) Constructivism and Online Education
(
459) coalescing in the act of interpretation
(
449) Wittgenstein's picture theory of meaning
(448) Differance: formation of form
http://folksonomy.org.uk/?s=448
Utterance:
The word "differAnce", spelled with an "a", is a coined term, and Derrida contrasts it with the vernacular term "difference". Patterns of "Difference," he explains, [are ] ...'produced' - deferred -- by 'differance'" (Derrida, 1982, p.14). But what does this mean? That difference is deferred by differAnce? Imagine observing a quilt on the wall with patches of yellow, blue and white. If you notice the yellow and the non-yellow, you see a pattern of concentric boxes. If you notice the blue and the non-blue you see a chequered design. Each pattern is a play of differences, but it is a different set of differences when yellow is differentiated from non-yellow than when blue is differentiated from non-blue, a different set of differences that shows us different patterns. What is interesting about this shift from one pattern to the other is that it not only calls our attention to a new pattern, but that it suppresses our awareness of the other pattern. DifferAnce, defers a pattern of differences (say the pattern of differences between the blue and the not-blue). That is, one pattern of differences pushes into the background another possible play of patterns. You cannot study the pattern of yellows and the pattern of blues at the same time because differAnce causes one or the other patterns to be "deferred". DifferAnce is the hidden way of seeing things that is deferred out of awareness by our distraction with the imagery that captures our attention. Because it contains this other way to see things "DifferAnce is the...formation of form."(Derrida, 1976, p.63).
Derrida, Jacques. 1982 Differance. In Jacques Derrida (Ed.), Margins of Philosophy, Chicago, USA: The University of Chicago Press.Derrida, Jacques. 1976 Grammatology, Baltimore, USA: The Johns Hopkins.
Image: , (). . , : Handmade By Kristen []
Motivation:
Book: Shawver, Lois. 1996 What Postmodernism Can Do for Psychoanalysis: A Guide to the Postmodern Vision. The American Journal of Psychoanalysis, 56(4), , USA: .
(
447) Interaction Design: university & applied research centres
(
426) Gestell: enframing and converting everything encountered
(
413) Empiricism: failing to secure contingency
(
406) post-traditional order contesting the hierarchy of legitimacy
(
397) Reflexive Modernisation: Beyond Modernism & Postmodernism
(
360) the mirror is both a utopia and a heterotopia
(
344) Francis Bacon: misconceptions in the discovery of causes
(
322) Sapir-Whorf Hypothesis
(
205) Donald Schön: The Reflective Practitioner Model
(
195) archaeology-poem: multiple registers
(
203) Julia Kristeva: The Abject
(
193) Defamiliarization and Making Strange
(
191) suture: revelation of constructed nature
(
178) insurrection of subjugated knowledges
(
168) Donna Haraway: situated knowledges
(
161) Historical Revisionism
(
146) every utterance generates a response
(
149) freemason: secular architect shaping the world
(
150) freemason: utopic representations of an orderly society
(
151) freemason: Solomon's Temple - classical order
(
154) heteroglossia: multilanguagedness
(
131) contingent product of contingently existing forces
(
92) authenticity: authority of the object
(
80) tends to perfection: nature
(
63) information is a commodity and is properly controlled by market forces?
(
61) Diachronic and synchronic
(
3) Walter Benjamin: das passagen-werk / the arcades project
(
38) Michel Foucault: Heterotopia
(
40) Kevin Hetherington: Heterotopia & Social Ordering
(
44) Henri Bergson: Tendencies and Composites
(
45) readerly texts and writerly texts
(
48) Deleuzian Memory of Sans Soleil
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