space/time 
(
786) Las Pozas: a space for eccentricity
(
736) The laptop studio: mobile individualisation of technologically-rendered space
(
725) Wi-Fi hot zones create urban sound gardens
(
723) museums present themselves to their publics as spaces of representation
(
720) Locating Mobility: Practices of co-presence and the persistence of the postal metaphor in SMS/ MMS mobile phone customization in Melbourne
(
712) WayMarkr: continuously take photographs of your events and perspectives
(
683) Richter: Vormittagsspuk (Ghosts before Breakfast)
(
679) Reconstructed Warfare to be Consumed Within The Safe and Controlled Vestiges of Home
(
648) Big Picture: viewing from within the projection space
(
646) Internet: a heterotopic experience
(
638) Desire to escape the paranoia and neurosis of living in the modern city
(
637) Reterritorialisation and reinscription of Adelaide's city centre
(
629) Audio Stories of Jewish children growing up with the legacy of the Jewish Holocaust
(
619) World: enclosed and recursive
(
614) Gorillaz : virtual band perform 3D hologram concert
(
608) SCANSCAPE: transgressing the boundaries and protocols of public and private space
(
606) Wherever You Go, There You Are: journeys to the same place
(
603) Chicago monitored by surveillance devices
(
586) claustrophobic spaces of German modernity and agoraphobic spaces of American post-war film genres
(
575) Schinwald: the choreography of awkward and dehumanised spaces
(
564) Location is Everything: mapping experiences
(
548) land is ultimately the only thing that exists
(
538) Fujihata: Landing Home in Geneva
(
537) mobilised virtual gaze: simulation of movement and visibility
(
514) Agora Phobia (digitalis): ambiguous private/public space
(
509) Visualising the Structure of the World Wide Web in 3D Hyperbolic Space
(
501) The Museum as an Intercultural Site
(
498) Diegesis and diegetic space in videogames
(
492) Francis Bacon's Studio mapped by archaeologists
(
470) cyberspace & cyburg: dematerialised space vs spatially embodied computing
(
469) Un-Private House: private becomes public
(
451) Communitas: a tree structure of urban zones
(
450) peeking back into history through sedimentary accumulation
(
431) lived space transcend the rules of geometry
(
425) Futurist 'Divisionism': digital performance legacy?
(
420) What is a Virtual Museum?
(
408) Searchscapes: materialising information spaces
(
403) Chronophotography: in the shadow of cinema
(
401) A View of the World from Ninth Avenue
(
392) Crosslinks + Passages in-between
(
390) heterotopia: a boat is a floating piece of space
(
377) nomad space: constant directions
(
374) Psychogeography and the dérive
(
366) hypersurface: intertwining of language and matter
(
351) Flatland: A romance of many dimensions
(
349) acmipark: virtual ACMI environment
(
340) palimpsest: shape-memory
(
299) Placeless Place: Transportable City
(
300) Architecture of Change
(
297) Halo: an interactive installation
(
267) Real: Digital Installation
(
268) Theory of the Dérive
(
261) reBoot: floating media-laboratory
(
259) Idensity: Soft Urbanism
(
265) Jacobs: Pornography in Small Places and Other Spaces
(
213) Creative Industries Precinct as a Regionalised space
(
208) Exactitude: an Empire map the size of one of it provinces
(
198) Archigram: experimental architecture
(
200) The Holocaust Museum
(
190) a little death: a modern day fairytale
(
180) Diller + Scofidio: refresh webcam project
(
173) Moholy-Nagy: frames within space-frames
(
172) Frozen in the Moment: Into The Void
(
169) Augé, Marc: instructions for use
(
160) communitas: hybridization with, aspects of social structure
(
159) Woman of the Dunes (Suna no Onna)
(
147) constellation model of relations
(
260) LAB[au]: sPACE, navigable music / live performance
(
142) corporeality is situated in dwelling space / the revolution begins at home
(
143) revolution-proofing Paris
(
108) cyberspace: parallel universe
(
117) Ad-Hoc Design: Frank Gehry's Familian Residence
(
118) Bilbao: Guggenheim Museum Spain
(
123) space: as narrative/sequence
(
103) Deleuze: Actual and Virtual
(
96) Paris streets 1900: crime scene evidence
(
101) Virtuality: present and contemporaneous past
(
104) Slow Motion: actual images and recollection-images
(
82) Slaughterhouse Five: non-chronological time
(
88) Entr Acte: re-purposed/juxtaposed space
(
89) Buffalo 66: multi-faceted events
(
74) Francis Bacon: fractured time
(
51) The Virtual Guggenheim Museum: liquidity, flux, and mutability
(
53) Out of place: Concrete Island
(
56) Placelessness: Alphaville
(
49) Augé: Spaces of Programmed Use as Non-Places
(
39) Woods: Sarajevo - Apartment Blocks
(
47) Sans Soleil - Nomadism
(
50) Walzer: democratic polity needs openminded spaces
(
54) In-Transit: The Devil's Mode
(21) Memento: a life in Polaroids
http://folksonomy.org.uk/?s=21
Utterance:
The films opening image is of a Polaroid photo developing in reverse. The sequence helps to provide a sense of what the film's protagonist (Leonard Shelby) must overcome. Leonard is unable to make new memories because of a medical condition and instead must rely on notes and photos that he leaves for himself.
Image: , (2001). . , : IFC Films [Danny Rothenberg]
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