commentary 
(
798) Give the people contests they win by remembering the words to more popular songs or the names of the state capitals
(
792) Jazz Protest Music: The Freedom Now Suite
(
782) Making Mothers of Fake Babies
(
780) Debunking the "Eat Local" Myth
(
773) The discourse of engineering needs to be expanded
(
766) Facebook Viral Campaign
(
764) Tracking the trackers: Unmasking wiki
(
762) Avatars consume as much electricity as Brazilians
(
761) The videogame based on the McDonald's production chain
(
760) Plastic Bottles: Five minutes worth of consumption in North America
(
751) Humanities: meaning, value, and significance
(
744) The mystery of discourse is not order, but disorder, incoherence
(
735) Yes Prime Minister: entertaining parody of the Australian Prime Minister
(
733) Chernobyl Legacy: photographic essay with audio commentary
(
731) Kingdom of Piracy: online, open work space to explore the free sharing of digital content
(
724) A devout Christian is likely to require as much evidence as anyone else
(
722) Regionalisation: Educational Reform in New Zealand
(
718) Rip, Mix, Burn, Autolink
(
698) Bodymouse: the potential of biomedical science?
(
695) Jihad videos posted on YouTube website
(
680) Bright: undermining the heterosexual love triangle in the heterosexual narrative
(
677) Parody Through Recurring Motifs of Suspense and Clichés of Plot
(
672) Symbolic Control Through Appropriation of Local Stories
(
663) Citizen Reporting of the London Bombings
(
613) New Zealand is not naive to the great cost of waging war
(
602) art and design students look at surveillance
(
596) Database of Virtual Art: a richly interlinked online repository
(
588) Boal: the intervention of the art of tragedy
(
574) (un)Smart-Mobs: Text-Messages Used to Incite Racial Violence at NSW's Cronulla beach
(
567) Terra Nova: collaborative weblog about virtual worlds
(
559) Diagnosing Iranian history in terms of European past
(546) Regulation Through Discourses/Practices
http://folksonomy.org.uk/?s=546
Utterance:
The prison operates through the production of norms to divide the population into prisoners and non-prisoners. Since the goal of the prison is to return prisoners to the status of non-prisoners, there must be a criterion, one carefully and comprehensively elaborated, to recognise the non-prisoner, the prisoner, and the developmental stages in the change from the one to the other. There must also be a detailed regimen to effectuate the change. There must finally be a method or system of keeping track of the change in each prisoner. Foucault borrows from Bentham the term Panopticon (one who sees all) to denote the entire apparatus of defining the norm, disciplining the negative term, observing the change from the negative to the positive and studying the whole process so that it can be perfected. But there is a difference. For Bentham the Panopticon was an artifice that deflected the criminal's mind from the irrationality of transgression to the rationality of the norm. It imposed social authority on the prisoner in a constant, total manner. The prisoner's actions could be monitored by guards at any time but without his ever knowing it. The prisoner would, in Rousseau's phrase, be forced to be free. With no escape or reprieve from the Panoptical eye, the prisoner would accept the authority of the norm with its rational system of pleasures and pains. For Foucault the task is to see the system as an imposition of a structure of domination, not as a rational, humanist intention.As we know, the Panopticon, evaluated on the standards of liberal and Benthamite theory, is a failure. Foucault's aim is to grasp the workings of the Panopticon outside the liberal framework: if it does not reform prisoners, what does it do? What are the effects of the social text of the prison, of Panoptical discourse? His argument is that the prison, in the context of a liberal capitalist society that celebrates the anarchy of the marketplace, the chaos of free monads pursuing infinite wants, the rationality of the unhindered subject - the prison in this world imposes the technology of power, the "micropolitics" of the norm. In capitalist society, regulation takes the form of discourses/practices that produce and reproduce the norm. The school, the asylum, the factory, the barracks to greater or lesser degrees and with considerable variation all imitate the Panopticon (see figures overleaf). In modern society power is imposed not by the personal presence and brute force of a caste of nobles as it was in earlier times but by the systematic scribblings in discourses, by the continual monitoring of daily life, adjusting and readjusting ad in finitum the norm of individuality. Modern society may be read as a discourse in which nominal freedom of action is canceled by the ubiquitous look of the other. It may be interpreted semiologically as a field of signs in which the metadiscourse of the Panopticon is reimposed everywhere, even in places in which it is not installed. We may suggest that the free individual requires a repressed other, a sort of external super-ego, an absent father if only to guarantee his or her freedom.
Image: , (1928). Device for Segregative Observation in the Guidance Nursery. New York, USA: Macmillan [from Arnold Gesell, Infancy and Human Growth]
Motivation:
Book: Poster, Mark. 1990 The Mode of Information: Poststructuralism and Social Context, Cambridge, UK: Polity Press. 0745603262
(
529) the
War on Terror and other conservative catchphrases
(
520) historical materialism: offering critical resources for the de-reification of capitalism
(
519) ethics question satirising Australian Prime Minister
(
518) industrialisation: pin making and the the division of labour
(
506) Culture Jamming: Australian International University
(
505) Culture Jamming the Forbes Global CEO Conference
(
496) Enemy Image: where is the human tragedy?
(
494) NICHT loschbares Feuer / Inextinguishable Fire
(
490) Christian forces humiliating Muslims in their own heartland
(
400) Heartfield: political commentary through photomontage
(
350) Seven Up! series: glimpses of Britain's future
(
331) Freire: answers to exploitation in photographs
(
319) Escape from Woomera: videogame social commentary
(
207) Social Inclusion and Exclusion
(
199) Faces of the Fallen: photomosaic
(
201) eugenics: forced sterilization
(
73) urban theory: world systems
(
2) Futurist manifesto: War is beautiful
![[Creative Commons Attribution-NonCommercial-ShareAlike 2.0 License]](http://creativecommons.org/images/public/somerights20.gif "Creative Commons Attribution-NonCommercial-ShareAlike 2.0 License")