commentary 
(
798) Give the people contests they win by remembering the words to more popular songs or the names of the state capitals
(
792) Jazz Protest Music: The Freedom Now Suite
(
782) Making Mothers of Fake Babies
(
780) Debunking the "Eat Local" Myth
(
773) The discourse of engineering needs to be expanded
(
766) Facebook Viral Campaign
(
764) Tracking the trackers: Unmasking wiki
(
762) Avatars consume as much electricity as Brazilians
(
761) The videogame based on the McDonald's production chain
(
760) Plastic Bottles: Five minutes worth of consumption in North America
(
751) Humanities: meaning, value, and significance
(
744) The mystery of discourse is not order, but disorder, incoherence
(
735) Yes Prime Minister: entertaining parody of the Australian Prime Minister
(
733) Chernobyl Legacy: photographic essay with audio commentary
(
731) Kingdom of Piracy: online, open work space to explore the free sharing of digital content
(
724) A devout Christian is likely to require as much evidence as anyone else
(
722) Regionalisation: Educational Reform in New Zealand
(
718) Rip, Mix, Burn, Autolink
(
698) Bodymouse: the potential of biomedical science?
(
695) Jihad videos posted on YouTube website
(
680) Bright: undermining the heterosexual love triangle in the heterosexual narrative
(
677) Parody Through Recurring Motifs of Suspense and Clichés of Plot
(
672) Symbolic Control Through Appropriation of Local Stories
(
663) Citizen Reporting of the London Bombings
(
613) New Zealand is not naive to the great cost of waging war
(
602) art and design students look at surveillance
(
596) Database of Virtual Art: a richly interlinked online repository
(
588) Boal: the intervention of the art of tragedy
(
574) (un)Smart-Mobs: Text-Messages Used to Incite Racial Violence at NSW's Cronulla beach
(
567) Terra Nova: collaborative weblog about virtual worlds
(
559) Diagnosing Iranian history in terms of European past
(
546) Regulation Through Discourses/Practices
(
529) the
War on Terror and other conservative catchphrases
(
520) historical materialism: offering critical resources for the de-reification of capitalism
(
519) ethics question satirising Australian Prime Minister
(
518) industrialisation: pin making and the the division of labour
(
506) Culture Jamming: Australian International University
(
505) Culture Jamming the Forbes Global CEO Conference
(
496) Enemy Image: where is the human tragedy?
(
494) NICHT loschbares Feuer / Inextinguishable Fire
(
490) Christian forces humiliating Muslims in their own heartland
(400) Heartfield: political commentary through photomontage
http://folksonomy.org.uk/?s=400
Utterance:
Exposing Nazism, and its leaders, to ridicule was [John] Heartfield's main aim in the 30s. 'The Meaning of the Hitler Salute' shows Hitler's right hand accepting a wad of bank notes from a gigantic bourgeois standing behind him. "Little man requests big donation. Motto: Millions are behind me."
Heartfield was an early pioneer of photomontage. He used it as a political weapon to challenge fascism prior to the 2nd World War. For Heartfield "New political problems demand[ed] new means of propaganda. For this task photography [possessed] the greatest power of persuasion."
Image: Herzfeld, Helmut (1932). Millions Stand Behind Me. , : Helmut Herzfeld []
(
350) Seven Up! series: glimpses of Britain's future
(
331) Freire: answers to exploitation in photographs
(
319) Escape from Woomera: videogame social commentary
(
207) Social Inclusion and Exclusion
(
199) Faces of the Fallen: photomosaic
(
201) eugenics: forced sterilization
(
73) urban theory: world systems
(
2) Futurist manifesto: War is beautiful
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